The COVID-19 virus pandemic that has caputred the whole world in the beginning of 2020. and in a short period of time forced people to isolate and maintain physical distance. It has lead everyone, including theaters, to think about new ways of communicating with the audience and producing new content and programs. As the theater is a live performance, media of interaction between the actors and the audience and each play is different and special, overcoming obstacles was all the more challenging and difficult. Literally closing their doors to the audience overnight, theaters found themselves in big trouble, but thanks to the internet and today’s technology they were given the opportunity to keep the interaction with the audience through a whole new and still unexplored way. The first part of this thesis paper deals with the concept of crisis in general, the causes of the crisis and the newly formed crisis caused by the COVID-19 pandemic. The second part deals with the issues of theater in times of crisis, the importance of the internet and digital technologies and sociological elements of the audience. In the third part the author will, using an example of the Trešnja Municipal Theatre , show the work of the institution in this new situation. The goal of the author of this thesis paper is to, through personal experience on the example of the Trešnja Municipal Theatre, show how it is possible to take advantage of the new situation or crisis and implement today's digital technologies to theatrical art.