The subject of research in this thesis is the effect of the Covid-19 pandemic on cultural sectors and how they managed to adapt to it. Cultural events will be defined as well as their importance. The pandemic has shown vulnerability of the sector in times of crisis, therefore UNESCO’s set of measure recommendations are a basis for this thesis, as many countries have implemented said measures, including Croatian Ministry of Culture. . Research projects by Jaka Primorac and Kultura nova foundation show the pandemic's effect on the national cultural sector. Research done in Germany that explored how the virus spread during a larger event in different epidemiological settings will prove that events are possible to realise but under certain circumstances. A worldwide event like Eurovision will show how a large event can adapt according to the situation. As a result of the pandemic, Drive-In Kultura event has started and new trends came about among cultural consumers, like virtual events. Their popularity will rise above the pandemic and will continue to develop as a new form of cultural content. The future of the sector will be directed towards encouraging the cultural sector towards a more sustainable mode of doing business and adjustment to the digital sphere, as a mean towards future resilience.